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Cartooning: Philosophy and Practice, by Ivan Brunetti
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The best cartooning is efficient visual storytelling—it is as much a matter of writing as it is of drawing. In this book, noted cartoonist and illustrator Ivan Brunetti presents fifteen distinct lessons on the art of cartooning, guiding his readers through wittily written passages on cartooning terminology, techniques, tools, and theory. Supplemented by Brunetti's own illustrations, prepared specially for this book, these lessons move the reader from spontaneous drawings to single-panel strips and complicated multipage stories.
Through simple, creative exercises and assignments, Brunetti offers an unintimidating approach to a complex art form. He looks at the rhythms of storytelling, the challenges of character design, and the formal elements of comics while composing pages in his own iconic style and experimenting with a variety of tools, media, and approaches. By following the author's sophisticated and engaging perspective on the art of cartooning, aspiring cartoonists of all ages will hone their craft, create their personal style, and discover their own visual language.
- Sales Rank: #20670 in Books
- Published on: 2011-03-29
- Original language: English
- Number of items: 1
- Dimensions: 7.40" h x .30" w x 5.50" l, .33 pounds
- Binding: Paperback
- 88 pages
Review
"This is the best book ever written, as far as I'm concerned. . . . It's the best book I've ever read on cartooning, and it's so generous. It's like, anybody can do this. The book is so good."—Lynda Barry, cartoonist
(Lynda Barry)
"Brunetti has given the cartooning world something very similar to what Strunk & White gave to prose with their Elements of Style. . . . keep it right next to your desk where you can find it at a moment's notice."—Tim O'Neil, PopMatters.com (Tim O'Neil PopMatters.com)
“A simple yet sophisticated guide . . . inculcate[s] a sense of cartoons as an essentially literary form.”—Wall Street Journal
(Wall Street Journal)
“Not everyone can be Charles Schulz or Ivan Brunetti, but if you give your time and best efforts to the program laid out in Cartooning: Philosophy and Practice, you might be more of yourself.”—Bob Duggan, Big Think (Bob Duggan Big Think)
About the Author
Ivan Brunetti has published�several graphic novels and taught courses on editorial illustration and comics at the University of Chicago and Columbia College Chicago. His drawings have appeared in the New Yorker, the New York Times Magazine, and McSweeney's, among other publications, and he served as editor for Yale University Press's two-volume Anthology of Graphic Fiction, Cartoons, and True Stories.
Most helpful customer reviews
33 of 35 people found the following review helpful.
Not what you think - better
By wiredweird
The obvious parts of graphic fiction come to mind first: long-legged manga babes in shortie skirts, muscled superheroes, snide political satires in the op-ed section, or dynamic page layouts and bursting word balloons. Beginning artists spend a lot of time developing their visual style or brand, too. And then there's the all-important mastery of computer skills needed to make art in today's world.
Phooey. All you need, at least to start, is a pencil, a notebook, and the ability to tell a story in pictures. Look at the artwork in some of the most popular comics ever: Dilbert, for example, or Charlie Brown. The imagery has been stripped to the bare minimum, but expression, character, and plot come through intensely even with minimalist drawing. That's what Brunetti presents, in this outline for a 15-week course in cartooning. Various exercises show how to make use of tiny distinctions in marks, or to explore the world of ideas and assemble its found objects into works of art.
When it comes to the cartoonist's tools, Brunetti emphasizes that only the very best will do - and the one tool that matter's is the creative mind. Musicians play scales, athletes exercise, and actors rehearse. How could anyone think that visual storytelling could demand any less of its practitioners? Get ready for some hard work, not in creating works of wit or beauty, but in building yourself up to be the person who can.
- wiredweird
9 of 9 people found the following review helpful.
Enjoyable For Learning, Or As Entertainment
By Josh H-G
I had no idea what I was getting when I read Cartooning: Philosophy and Practice by Brunetti. I think I expected something more like Scott McCloud's excellent guides.
But this is not the same, and that's absolutely a good thing. If you are interested in comics enough to be looking at this, you will probably enjoy this book. It's a syllabus, and a lesson plan, and it's entirely worth reading whether you intend to learn and practice, or whether you're just interested in the comics form.
Brunetti's introduction, plan, and suggestions are clearly words spoken from someone who has refined their approach to comics over a long time. The words are at times thoughtful and funny, and the examples and plans are well organized.
I do not draw. I read a fair amount of comics, and as a very basic self-guided study, Cartooning is a great entry-course whether you're going to use it as a jumping-off point for creating, or simply to look a little harder at what goes into making comics as unique as they are.
Another of Brunetti's books, Aesthetics: a Memoir has a lot of examples similar to those used in this book. It's a very fine companion piece to see more of what Brunetti describes in terms of approach and result.
8 of 8 people found the following review helpful.
Interesting new approach to an old topic
By Amazon Customer
I am working my way through the lessons in this book. The emphasis is on developing your own visual and manual fluency, where other books start with heads and eyes and expressions. The result, then, is much richer than the "anybody can cartoon" genre, which teaches the tired old conventions. I think I would not recommend this book to pure beginners -- better for students who need to take a fresh approach with their intermediate or advance beginner skills.
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